They set out along the blacktop in the gunmetal light,

 

 

Golden Gate Park, evening

 

“Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other’s world entire.” Cormac McCarthy, The Road

My world, like my mother’s, is shrinking. Each of us orbits three points.

Hers: bed, bathroom and bright sunlight in a lion-footed chair. In truth, the time in the chair is short.  A few vertical minutes and she wants to go back to bed.  She is most comfortable in a world that is largely horizontal if not quite flat.

When she arrived, San Francisco was to be first stop on a trip around the world; my mother planned to find a ship and sail West.   Waiting, she hung out at the Black Cat Bar on Montgomery Street.  It was frequented by writers like Saroyan and Steinbeck, a scene of Kerouac’s On the Road is set there.  Bohemian San Francisco enfolded and held her.

“It was five cents a song.  Some one gave you a quarter and you only played four.  The juke box gave you back a nickel. When you had a twenty five cents you went to Chinatown and bought dinner.”  The story was always told in a restaurant where Beijing ducks hung in a row by the cash register, the menu was written largely in Chinese and our chop sticks were poised over something sweet and sour.   Choosing to stay made perfect sense.

My world now is not much larger than the points my mother was able to walk to three months ago:  her house, the row of shops around the corner and Haight Street, two blocks from the famous Ashbury intersection.

I was here for the Summer of Love, but missed it, being too busy with a never-completed philosophy Ph.d or working in a topless bar to fund same, I can’t remember which.  So the current parade down Haight Street is a little lost to me.  Mostly young, they wear layers of clothes; the girls frequently have corn cob hair and the boys usually don’t have beards. They have backpacks and dogs and congregate in Golden Gate Park, but don’t make their own music, there are no fields for dancing, no signs saying “Make love not war.”  On the surface, it is more post-apocalypse The Road, than Hippie Neverland.

Perhaps deeper down as well.  I meet Benjamin who dreams of moving on.  Tall, with light red hair a few inches below his striped knit hat, good teeth and a great smile.   “My father was a Vietnam Vet.  When I was 9 he flipped out.  He wasn’t very nice to me,” he fondles his hair, “because I look like my mom.  I went to the Vets Administration to try to get help for my problems.  They helped him because he is a disabled veteran, but not me, his spawn.  Sometimes it is very hard.”  He has a list of cities where things will be different: Seattle, Vancouver, London.

I’ve lived in six different countries and been around the world twice.  I think he might be right.  Sometimes new, strange places, feet on the open road, wind in your hair work a cure.  I wish him luck and complete my tight little circle.

When I get home my mother is in bed.  Eyes closed.  Not sleeping, she says.  I wonder what goes on in her mind.

A visitor has brought her a tea towel.  Embroidered on it:   “I live in my own little world.  It is okay, they know me there.”

My mother and I are isolated…

Image

shipyard arc welders lunching, 1943

My mother and I are isolated, but not alone.  The very old are everywhere, scattered over the landscape, worn and scraped but going still.   Common wisdom is that it is the duty of their children to keep them running.

This is an unexpected shower on the Baby-Boomer parade.  My generation which has had so much — Elvis, the Beatles, college educations, smoking and inhaling,  Timothy Leary, jobs, Andy Warhol, the Pill, Woodstock, owning their own homes, only one war  —  finds added to this cornucopia gems like the Boomers’ Guide to Ageing Parents and agingparents.com.

I’m not sure I am a true Boomer; I was too early for that famous surge of post war euphoria. My mother’s first memory of my birth is people crying on the streets of Mexico City because President Franklin Delano Roosevelt was dead.  Her doctor wanted to attend an important horse race and used drugs to hurry me into the world.   It was two days before she recovered enough to really know I was there.   My mother and father met in New York when she as an arc welder in the wartime shipyards.  I am the daughter of a Rosie the Riveter.  My father was an artist in Greenwich Village who abandoned her before I was born.   After that, the offer of work in Mexico seemed a good idea.

I have another story from that time, not one my mother told;  it comes from a playwright who shared our pension in the heart of Mexico City.  Paris Siete was owned by the Aranals,  in-laws of the great Mexican muralist David Siquieros and were involved with him in the first, unsuccessful attempt to assassinate Leon Trotsky and probably the successful one that followed.  I think the assassination was a tragedy, but am impressed by my early proximity to shattering events.

The playwright befriended my mother because, although nursing me, she wasn’t given as much food as the other lodgers.  The Arenals, bless their Stalinist hearts, fed her less because she paid less.  Dear Karl Marx  (“from each according to his ability, to each according to his need”) must have spun in his grave.

Never mind, we’re here now.

My mother just lies on her bed or the couch most days, eyes closed or open, in the sun if it’s there. She smiles beatifically at visitors, tries to follow conversations, and drops in one liners when she can.

People are making me a repository of ageing parent stories.  The vet vaccinating my dogs tells me her ancient grandmother does nothing but sit at a table all day and stare sadly into space.  The vet’s father, who must walk the length of his Spanish village to do his duty as her carer, is dogged at every step by advice from neighbours on how  to make his mother happy again.

The owner of my local hardware store’s mother is almost the same age as my own and we’ve been exchanging information for some time.  His mother had a fall, breaking her pelvis and her hip,  but has made a complete recovery.  The conscientious Irish government sent home help to visit her.  His mother’s first response was invite the visitor to have a seat, “and I’ll make you a cup of tea, love.”

The Palestinian grocer tells me about his grandmother in Nablus.  Her husband divorced her and sent her to live with her grown children.  Broken by grief, everyday she loaded wood onto her head and walked back to her old home.  “I was sent to get her. Everyone knew her, it was okay.”

The stories from San Francisco are different.    “Of course he didn’t want to go.” “It was the hardest decision my sisters and I ever had to make, to put my mother in a home.” “We had to explain that everything can’t be perfect.”  “My mother wasn’t happy there, of course she wasn’t.”  These are good people, I know them, and I may have to do the same.  Are we really such a brutal place?

Outside there is the sun and it is the day of the Bay to Breakers race.  In true San Francisco fashion, the real object is to dress up.  I see a man in a toga go into the hamburger cafe.  Spidermen, Batmen, Ghost Busters pass in droves.  On the corner a group hold long poles with bird heads painted on top, swans probably, although they look like geese.  The bottom of the costumes, for both the men and women, is a tutu and a long, blue feathered tail.  Exquisite.

Near them is a bus shelter with a sign:  “Get unfreaked out by repossession.  Call 188-995-Hope.”   A few feet away a young man is rummaging in a white  plastic trash bin.  He throws things on the ground and once in awhile lets out a cry that sounds like a cartoon “aarrgh.”   He is thin and tall and handsome, with  neat red hair and a neat red beard.  Neither his skin or his layers of clothes have yet acquired that patina of grey, impregnable dirt.  He has not been on the street long.  He stops his search finally, circles three times stamping his feet and sits down.  He lights a cigarette butt, looks at it, lights another and studies them both.

I hear Patchen again: “Have you seen the homeless in the open grave of god’s hand?”