Months into the plague now ………………… Sheltering-in-Place #7

Siblings, Dar al Akhmar, Cairo.                          ccraig

 

Dad Poem (Ultrasound #2)…Joshua Bennett with a line from Gwendolyn Brooks

 

Months into the plague now,
I am disallowed
entry even into the waiting
room with Mom, escorted outside
instead by men armed
with guns & bottles
of hand sanitizer, their entire
countenance its own American
metaphor. So the first time
I see you in full force,
I am pacing maniacally
up & down the block outside,
Facetiming the radiologist
& your mother too,
her arm angled like a cellist’s
to help me see.
We are dazzled by the sight
of each bone in your feet,
the pulsing black archipelago
of your heart, your fists in front
of your face like mine when I
was only just born, ten times as big
as you are now. Your great-grandmother
calls me Tyson the moment she sees
this pose. Prefigures a boy
built for conflict, her barbarous
and metal little man. She leaves
the world only months after we learn
you are entering into it. And her mind
the year before that. In the dementia’s final
days, she envisions herself as a girl
of seventeen, running through fields
of strawberries, unfettered as a king
-fisher. I watch your stance and imagine
her laughter echoing back across the ages,
you, her youngest descendant born into
freedom, our littlest burden-lifter, world
-beater, avant-garde percussionist
swinging darkness into song.

 

 

 

 

Comment:

I picked this poem for the lines “escorted outside/instead by men armed/with guns and bottles/ of hand sanitizer, their entire/ countenance their own American/ metaphor. “ And because I liked the rest of it of course.

Those faces, that ‘American metaphor’, and the guns that accompany them are something that shock me every time I come back into the United States.  I can’t think of any other place I have seen so many faces looking out from behind those gates.  In Egypt, in Mexico where in my memory every important building had a soldier with a rifle, maybe sandbags, the soldiers looked like kids, scared and wanting you to know it.  Perhaps I saw that same look in Brazil under the military, a pretty tame military as those kinds of regimes go and on its way out.  But the police were famously  brutal; they had that same barricaded look.  White and foreign and relatively safe as I was, for two years I refused to ask them so much as directions on the street.  It was my tiny act of solidarity with their victims in the favelas.

This poem came courtesy of A-Poem-A-Day from poets.org.  I couldn’t find out much about Joshua Bennett. He is the Mellon Assistant Professor of Creative Writing at Dartmouth and  has a wonderful post on his twitter account( https://twitter.com/sirjoshbennett?lang=en):

My grandparents met in a strawberry field. They were teenagers, sharecroppers,
Black human beings living under the weight of unthinkable duress. Black freedom
is in the futures they dreamt, and the abundant lives they pulled from the air.
#ImagineBlackFreedom

 

 

My mother and I are isolated…

Image

shipyard arc welders lunching, 1943

My mother and I are isolated, but not alone.  The very old are everywhere, scattered over the landscape, worn and scraped but going still.   Common wisdom is that it is the duty of their children to keep them running.

This is an unexpected shower on the Baby-Boomer parade.  My generation which has had so much — Elvis, the Beatles, college educations, smoking and inhaling,  Timothy Leary, jobs, Andy Warhol, the Pill, Woodstock, owning their own homes, only one war  —  finds added to this cornucopia gems like the Boomers’ Guide to Ageing Parents and agingparents.com.

I’m not sure I am a true Boomer; I was too early for that famous surge of post war euphoria. My mother’s first memory of my birth is people crying on the streets of Mexico City because President Franklin Delano Roosevelt was dead.  Her doctor wanted to attend an important horse race and used drugs to hurry me into the world.   It was two days before she recovered enough to really know I was there.   My mother and father met in New York when she as an arc welder in the wartime shipyards.  I am the daughter of a Rosie the Riveter.  My father was an artist in Greenwich Village who abandoned her before I was born.   After that, the offer of work in Mexico seemed a good idea.

I have another story from that time, not one my mother told;  it comes from a playwright who shared our pension in the heart of Mexico City.  Paris Siete was owned by the Aranals,  in-laws of the great Mexican muralist David Siquieros and were involved with him in the first, unsuccessful attempt to assassinate Leon Trotsky and probably the successful one that followed.  I think the assassination was a tragedy, but am impressed by my early proximity to shattering events.

The playwright befriended my mother because, although nursing me, she wasn’t given as much food as the other lodgers.  The Arenals, bless their Stalinist hearts, fed her less because she paid less.  Dear Karl Marx  (“from each according to his ability, to each according to his need”) must have spun in his grave.

Never mind, we’re here now.

My mother just lies on her bed or the couch most days, eyes closed or open, in the sun if it’s there. She smiles beatifically at visitors, tries to follow conversations, and drops in one liners when she can.

People are making me a repository of ageing parent stories.  The vet vaccinating my dogs tells me her ancient grandmother does nothing but sit at a table all day and stare sadly into space.  The vet’s father, who must walk the length of his Spanish village to do his duty as her carer, is dogged at every step by advice from neighbours on how  to make his mother happy again.

The owner of my local hardware store’s mother is almost the same age as my own and we’ve been exchanging information for some time.  His mother had a fall, breaking her pelvis and her hip,  but has made a complete recovery.  The conscientious Irish government sent home help to visit her.  His mother’s first response was invite the visitor to have a seat, “and I’ll make you a cup of tea, love.”

The Palestinian grocer tells me about his grandmother in Nablus.  Her husband divorced her and sent her to live with her grown children.  Broken by grief, everyday she loaded wood onto her head and walked back to her old home.  “I was sent to get her. Everyone knew her, it was okay.”

The stories from San Francisco are different.    “Of course he didn’t want to go.” “It was the hardest decision my sisters and I ever had to make, to put my mother in a home.” “We had to explain that everything can’t be perfect.”  “My mother wasn’t happy there, of course she wasn’t.”  These are good people, I know them, and I may have to do the same.  Are we really such a brutal place?

Outside there is the sun and it is the day of the Bay to Breakers race.  In true San Francisco fashion, the real object is to dress up.  I see a man in a toga go into the hamburger cafe.  Spidermen, Batmen, Ghost Busters pass in droves.  On the corner a group hold long poles with bird heads painted on top, swans probably, although they look like geese.  The bottom of the costumes, for both the men and women, is a tutu and a long, blue feathered tail.  Exquisite.

Near them is a bus shelter with a sign:  “Get unfreaked out by repossession.  Call 188-995-Hope.”   A few feet away a young man is rummaging in a white  plastic trash bin.  He throws things on the ground and once in awhile lets out a cry that sounds like a cartoon “aarrgh.”   He is thin and tall and handsome, with  neat red hair and a neat red beard.  Neither his skin or his layers of clothes have yet acquired that patina of grey, impregnable dirt.  He has not been on the street long.  He stops his search finally, circles three times stamping his feet and sits down.  He lights a cigarette butt, looks at it, lights another and studies them both.

I hear Patchen again: “Have you seen the homeless in the open grave of god’s hand?”